Ph. D. Brandeis University, 1962, English and American Literature; B.A. Cornell University, 1955.

Full Professor, English Literature, University of Colorado, Boulder, since 1975. Director of Creative Writing, 1975-77. Chairman of the Board of Directors, Coordinating Council of Literary Magazines, 1975-77. Publisher, American Book Review, 1977- . Director, English Department Publications Center, 1984-95. Advisory Committee, PMLA, 1987-1990. Co-Director, Board of Directors, Fiction Collective Two/Black Ice Books, 1988- . Publisher, Black Ice magazine, 1989-  . Board of Directors, National Book Critics Circle, 1992-95. Director, Nilon Award for Excellence in Minority Fiction, 1990-98.

New York State Scholarship, 1950. Telluride Association Scholarship, 1951-54. Fulbright Fellowship, France, 1958. Guggenheim Fellowship, 1977. National Endowment for the Arts Fellowship, 1980. Butler Chair, SUNY Buffalo, Spring 1981. University of Colorado Faculty Fellowship, 1982. Fulbright Teaching Fellowship, Israel, 1984. Coordinating Council of Literary Magazines Award for Editorial Excellence, 1985. Western Book Award for Publishing, 1985. American Book Award, 1988. National Endowment for the Arts Fellowship in Writing, 1989. University of Colorado Faculty Fellowship, 1990. Boulder Faculty Assembly Award for Excellence in Research, Scholarly and Creative Work, 1993.

Books include: Wallace Stevens: Musing the Obscure, 1967; UP, a novel, 1968; The Death of the Novel and Other Stories, 1969; OUT, a novel, 1973; 98.6, a novel, 1975; Long Talking Bad Conditions Blues, 1979; In Form: Digressions on the Act of Fiction, 1985; Endless Short Story, 1986; Blown Away, 1986; Down and In: Life in the Underground, 1987; Doggy Bag: Hyperfictions, 1994; Degenerative Prose, with Mark Amerika, 1995;UP, a novel, republished 1998. Mosaic Man, a novel , 1999; Narralogues:Truth in Fiction, December 1999; In the Slipstream, with Curtis White, 1999; Cows, a novel, (just completed).

I started teaching at Brandeis in 1956 and taught there full time in 1957-60. I taught as an Instructor at Hofstra in 1961-62. Between 1963 and 1966 I took several part-time and summer teaching jobs while working on two books. I taught at the rank of Assistant Professor in the New York City College system during 1966-67, and at Sarah Lawrence College in 1968-69. During 1969-70 I was Writer-in-Residence at Cornell University, and during 1970-72 I held the same position at the University of California, Irvine, on a Regents Professorship. I have been a Full Professor at the University of Colorado, Boulder, since 1975. I have also taught at l'Universite Paul Valery, Montpellier, France, in 1979, at Queens College, CUNY, 1982-83, and at Hebrew University in Jerusalem, 1984.

I have given many readings, lectures and colloquia in the United States and Europe.

I. Novels

Up, New York: Dial Press, 1968. New York: Delta Editions/Dell Publishing Co., 1970.

Out, Chicago: Swallow Press, 1973. Republished at: Alternative-X, www.altx.com/vimprints.html

98.6, New York: Fiction Collective, 1975.

Long Talking Bad Conditions Blues, New York: Fiction Collective, 1979.

Blown Away, Los Angeles: Sun and Moon Press, 1986.

UP, a novel, republished by FC2/ Black Ice Books, 1998.

Mosaic Man, FC2/ Black Ice Books, first printing, April 1999, second printing, August 1999.

Narralogues: Truth in Fiction, State University of New York Press, 1999.

The Endless Short Story, New York: Fiction Collective, 1986.

Doggy Bag: Hyperfictions, FC2/Black Ice Books, 1994.

Narralogues: Truth in Fiction, December, 1999.

III. Collections Edited

Witness Magazine: Experimental Fiction, ed. Ronald Sukenick, Witness Publishers, Inc, 1989, pp.7-9.

Degenerative Prose, FC2/ Black Ice Books, 1995.

In The Slipstream, FC2/ Black Ice Books, 1999.

"The Permanent Crisis," Epoch, 10 (Fall, 1960), 211-217.

"One Every Minute," Carolina Quarterly, 13 (Spring, 1961), 57-64.

"A Long Way from Nowhere." Epoch, 14 (Fall, 1964), 69-77.

From Up. New American Review, No. 1, 1967.

"What's Your Story," Paris Review, 11, #44 (Fall, 1968), 33-51.

"The Key," Fiction, 1, #3 (1972), 2-3.

"From Out," Chicago Review, 23 (Winter, 1972), 16-58.

"From Out," Partisan Review, 39 (Spring, 1972), 238-254.

"From His Upcoming Novel Out," Northwest Review, 13, #1 (1973), 93-105.

"The Endless Short Story," Strange Faeces, Spring, 1973.

"From Out," Massachusetts Review, 14 (Spring, 1973), 352-363.

"On the Wing," North American Review, 258 (Summer, 1973), 29-48.

"From Out," Fiction International #1 (Fall, 1973), pp. 54-59.

"From 98.6," Barataria Review, 1, #1 (1974), 21-40.

"A Postcard from The Endless Short Story," Austin, Texas: Cold Mountain Press Poetry Post Card Series Two, 1974.

"The Endless Short Story: 14," Lillabulero, Spring, 1974, pp. 109-118.

"From 98.6," Seems #4 (Autumn, 1974), pp. 14-33.

"From 98.6," Big Moon, 1, #1 (1975), 78-89.

"Palestine," Partisan Review, 42, #1 (1975), 23-29.

"From 98.6," Center #7 (April, 1975), p. 61.

"The Children of Frankenstein," TriQuarterly #34 (Fall, 1975), pp. 87-100.

"The Monster," Iowa Review, 6 (Winter, 1975), 33-46 (Pushcart Prize, 1975).

"From 'The Endless Short Story': Damon the Nomad," Bombay Gin, 1976.

"The Endless Short Story: Aziff." TriQuarterly #35 (Winter, 1976), Vol. 1, p. 42.

"Extract from The Fortune Teller," Trema (Paris), #2 (1977), pp. 143-146.

"The Endless Short Story: Boxes," Fiction, 1979.

"From Long Talking Bad Conditions Blues. "Granta, (Spring,1979) pp. 181-190.

"The Endless Short Story: What's Watts," New Letters, Vol. 45 (June, 1979), pp. 177-179.

"From Long Talking Bad Conditions Blues." Ploughshares, Vol. 5, No. 3, pp. 165-176.

"The Endless Short Story: Gorgonzola," Smoke Signals, Vol. 2, no. 4 (1982), p. 85; and "Questionnaire," p. 31.

"The Endless Short Story: Five & Ten," Criss-Cross Art Communications, 6 (March, 1978), 36-41; Buff, SUNY-Buffalo, No. 3 (Spring 1982), pp. 17-21.

"Lit Comix." Exquisite Corpse, Baltimore, 1983.

"At This Very Instant." Fiction International, San Diego State University Press, Vol 15, no. 1 (1984), pp. 92-96.

"Duck Tape." Formations, Univ. of Wisconsin Press, Vol. 1, no. 2, (1984).

"The Ocean, the Ocean, the Mama Lotion." Witness, Spring 1989, pp. 86-99.

"The Endless Short Story, " Gunubirlik, vol.14.5 at: www.hoexter.netsurf.de/homepage/OPERA/Endless..html, 1986.

"The End of the Endless Short Story." Black Ice, No. 2 (1985), pp. 50-58.

"Divide." Denver Quarterly, Vol. 20, no. 1 (Summer, 1985, pp. 33-40.

"Bush Fever." Formations, Spring, 1986.

"The Endless Short Story: The Finnegan Digression." Substance 27, pp. 3-6.

"Pigs in Shit." Rampike: Special Issue, n.d., pp. 19-22, republished, www.altx.com.

"Who Are These People?" Fiction International, Spring 1990, pp. 45-50.

"Tiger." Denver Quarterly, vol. 24, #3 (Winter 1990), pp. 46-47.

"Ecco." Boulevard, Nos. 12/13, Spring 1990, pp. 71-89. Reprinted, O. Henry "Prize Stories," 1991.

"Doggy Bag." Central Park, Spring/Fall 1991, pp. 100-122.

"The Flood." Fiction International 22, 1992, pp. 327-334.

"50,010,008," IO, 1993, pp. 77-86.

"From: Mosaic Man," Fiction, Vol. 11, no. 3, pp. 162-172.

"98.6, " Chelsea Hotel, vol.3, Eggingen, 1993.

"The Wondering Jew and the Black Widow Murders, or the Return of the Planet of the Apes," Southern Plains Review, Fall 1993, pp. 25-34.

"How to Be Jewish," New Letters, Vol. 60, No. 4, pp. 65-76.

"The Burial of Count Orgasm," The Iowa Review, Vol. 24, No. 2 (Spring/Summer 1994), pp. 212-28. Republished, Transgressions, ed. Lee Montgomery, Mary Hussmann, David Hamilton, University of Iowa Press (Iowa City: 1994).

"The Flood," The Best American Erotica, 1993, Charles Scribner's Sons (New York: 1994), pp. 197-206.

"Hand Writing On Wall," The Southern California Anthology, Vol. XI, pp. 59-69.

"Microoganisms," remixsponse categoriarray, ed. Nico Vassilakis, edition two (no page nos.).

"Black Square/White Rectangle," Disturbed Guillotine (n.d.), p. 31.

"A Mummy's Curse," New Novel Review, Nov. 1994, pp. 9-21.

"The Doctor," Caprice, March 1994, p. 5.

"An Attack," South Atlantic Quarterly: Celine, USA, Vol. 93, No. 2 (Spring 1994), pp. 462-68.

"Fin de Siecle," Sensitive Skin, No. 2 (Spring/Summer 1994), pp. 8, 9, 35.

"Name of the Dog," Boulevard, Nos. 25 & 26 (Spring 1994), pp. 227-38.

"from Doggy Bag," Critical Quarterly, vol. 37, no. 4 (Winter 1995), pp. 34-35.

"The Prague Voyage: " from Mosaic Man, Nobodaddies, vol. 2, issue 1 (Spring/Summer 1995), pp. 48-49.

"Hand Writing On Wall," Larry McCaffery, ed. After Yesterday's Crash: The Avant-Pop Anthology, Penguin Books (New York and London, 1995), pp. 207-19.

"Down And In #3," story/column, Alternative-X, "Interzone," http://www. altx.com (internet), 5 pp.

"Jack Kerouac Is Alive and Dead," Alternative-X, "Interzone," http://www. altx.com (internet), 5 pp.

"Life/Art: Static Story for a Small Screen," I/O/D, England (internet), 9 pp.

"Static Stories," Arnot Art Museum, Elmira, N.Y., October, 1995.

" Life/ Art: Static Story for Small Screen," FlashPoint, issue 1, vol. 1, Summer 1996, pp.13-17.

"Static Story, " Bil BoK, vol. 6

"Profit , an excerpt from Mosaic Man," Alternative-X, www.altx.com/profiles/archives/index.html

"Flakes: a serial, " Alternative-X, www.altx.com/profiles/archives/index.html,n.d.

"Sublet, " Chelsea 64, Chelsea Associates, 1998, p. 148.

"How to Screw a Coot, " Nerve Magazine, at: www.nervemag.com/Sukenick/Coot/1997.

a. Books

Narralogues, December, 1999.

In Form: Digressions on the Act of Fiction. Carbondale: Southern Illinois University Press, 1985.

Wallace Stevens: Musing the Obscure. New York: New York University Press, 1967; Gotham Library paperback edition, 1968.

Down and In: Life in the Underground. New York: William Morrow, 1987; Collier-Macmillan, 1988.

"A Wallace Stevens Handbook: A Reading of His Major Poems and an Exposition of His Theory and Practice." Ph.D. dissertation, Brandeis University, 1962.

b. Articles

"Not-Fiction," American Book Review, Vol.21, no.1, November-December 1999, pp 3.

"The Situation of American Writing 1999, " American Literary History, Oxford University Press, vol. ii, #2, Summer 1999, pp.324-331.

"Down and In: In London and Paris, " American Book Review, March-April 1997 pp.1,15.

"The Underground Exposed, " Cups, June 1996, #72, pp.12-16.

"Narrative Thinking vs. Conglomerate Culture," Critical Quarterly, Vol. 27, No. 4 (Winter, 1995), pp.

27-33.

Ronald Sukenick (with Mark Amerika), "Degenerative Prose: A Virtual Intro," Degenerative Prose: Writing Beyond Category, FC2/Black Ice Books, Normal IL, 1995, pp. 1-9.

Author's introduction, 98.6 (new edition), FC2, Normal IL, 1995, pp. i-vii.

"Down And In #1," essay/column, Alternative-X, "Interzone," http://www. altx.com (internet), 6 pp.

"Down And In #2," essay/column, Alternative-X, "Interzone," http://www. altx.com (internet), 4 pp.

"The Fifteen Minutes," Alternative-X, "Interzone," http://www.altx.com (internet), 6 pp.

"Postmodern Fiction and Oppositional Art," Alternative-X, "Interzone," http://www.altx.com (internet), 29 pp.

"Cyberporn," Alternative-X, "Interzone," http://www.altx.com (internet), 9 pp.

"Jack Kerouac Is Alive and Dead," Alternative-X, "Interzone," http://www. altx.com (internet), 5 pp.

"Publishing, 2001," American Book Review, Vol. 16, No. 4 (Oct.-Nov., 1994), pp. 3, 6, 7.

"Writer's Roundtable," South Atlantic Quarterly. Vol.93, no.2, Spring 1994, pp. 461-462.

"The Underground," American Book Review, Vol. 16, No. 1 (Apr.-May, 1994), p. 31.

"The N.E.A. & the Avant-Garde," The Nation, Oct. 11, 1993, pp.400-401.

An Introduction, Doppelganger, 1993, iv.

"Statement," Fiction International 22, 1992, pp. 48-51.

"Novel as Novel." American Notes and Queries, vol.5, #4, New Series, 1992, pp.244-246.

"Unwriting," American Book Review, vol. 13, no. 5, 1992, pp. 4 & 26-27.

"Changing of the Garde," (with Mark Amerika), Black Ice, No. 9, 1992, pp. v, vi.

"Movie Digression." Writing in a Film Age, ed. Keith Cohen. University Press of Colorado, 1991, pp. 155-166.

"Introduction," Black Ice, No. 8, 1991, pp. v, vi.

"My Life in Fiction." Konoch, vol. 1, #1 (Winter 1990), pp. 24-27.

"The NEA: Art and Money," American Book Review, March-April, 1990, p. 3.

"Ronald Sukenick" (statement). The Literary Review, Winter 1990, pp. 183-84.

" Dictionnaire des Romanciers, " by J.K., Magazine Litteraire, 1990.

"Autogyro: My Life In Fiction," Contemporary Authors Autobiography Series, Vol. 8, ed. Mark Zadrozny, Gale Research, Inc., Detroit, 1989, pp. 283-296.

"Introduction," Black Ice, No. 5, 1989, pp. v, vi.

"Up From the Garret," New York Times Book Review, Jan. 27, 1985, p. 1, 30-31.

"Art and the Underground," American Book Review, January, February 1984, pp. 2-3.

"Literature at the End of the Century." The Literary Review, Winter 1990, pp. 1983-84.

"On Steve Katz, Raymond Federman, Tom Glynn, George Chambers, Douglas Woolf, Peter Speilberg, Frank Waters." Writers Choice, ed. Bill Katz and Linda Sternberg Katz, Reston Publishing/Prentice Hall, 1983.

"Letter from Poland." New York Times Book Review, Jan. 1, 1983; reprinted, Granta, Cambridge, England.

"Get Thee a Grant: Why Writers Must Play Politics." The Nation, October 3, 1981, pp. 199-302.

Literature Against Itself by Gerald Graff. Review, in American Book Review, Vol. 3, No. 3 (1981) p. 5.

Was That a Real Poem and Other Essays by Robert Creeley. Review in American Book Review, Vol. 4, No. 1 (1981).

"A Writers Forum on Moral Fiction." Fiction International, No. 12 (1980) p. 21.

"Eight Digressions on the Politics of Language." New Literary History, Spring, 1979.

Poetry Tape (from novel, Long Talk Bad Conditions Blues,) at www.sfsu.edu/catalog/1149.html.1979.

"Misreading Bloom." Review of Wallace Stevens: The Poems of Our Climate by Harold Bloom. Partisan Review, 45, #4 (1978), 634-636.

"Fiction in the Seventies: Ten Digressions on Ten Digressions." Studies in American Fiction, 5 (Spring, 1977), 99-108. Reprinted in American Fiction, edited by James Nagel, pp. 99-108. Boston: Northeastern University Press, 1977.

"Writers for Carter." Partisan Review, 44 (Spring, 1977), pp. 108-109.

"Thirteen Digressions." Partisan Review, 43, #1 (1976), pp. 90-101. Trans. in Nagy Vilag (Hungary) 1977.

"The New Innovative Fiction" (with Raymond Federman). Antaeus #20 (Winter, 1976), pp.138-149.

"Statement." In Statements: New Fiction from the Fiction Collective, edited by Jonathan

Baumbach, pp. [7-8]. New York: Braziller, 1975.

"News from Utopia." Harper's Bookletter, 2 (August 18, 1975), 1.

"Twelve Digressions Toward a Theory of Composition." New Literary History, 6 (Winter, 1974-75), pp. 429-437.

"On Reinventing the Novel." Fiction International, 2/3 (1974).

"Taboo or Not Taboo." Village Voice, 19 (January 3, 1974),p. 4.

"On Reinventing the Novel." Fiction International (2/3, 1974).

"The S.S. Dictionary Is Going Down." Village Voice, 19 (Feb. 21, 1974), p. 20.

"Author as Editor and Publisher," New York Times Book Review, September 15, 1974, p. 55.

"The Fiction Collective," New York Times Book Review, Dec. 22, 1974, p. 16.

Commentary on 98.6. Barataria Review, 1, #1 (1974), p.21.

"Upward & Juanward: The Possible Dream." [Commentary on Carlos Castaneda.] Village Voice, 18 (January 25, 1973), 27-28, 30-31. Reprinted in Seeing Castaneda, edited by Daniel Noel, pp. 110-120. New York: Putnam's, 1976.

Commentary on "The Birds." In Cutting Edges, edited by Jack Hicks, pp. 547-548. New York: Holt, Rinehart & Winston, 1973.

Commentary on Out. Massachusetts Review, 14 (Spring, 1973), p. 93.

Review of The Bonny-Clabber by Goerge Chambers. New York Times Book Review, March 3, 1973, pp. 32-33.

"The Ecology of Literature," Village Voice, 18 (April 5, 1973), pp. 26-28.

"The Endless Short Story," Village Voice, 18 (September 6, 1973), 13-14, 34. Continued as "The Next Part of the Story." Village Voice, 18 (September 13, 1973), pp.15-16.

"On Paul Metcalf." Lillabulero #12 (Winter, 1973), pp. 49-50.

"On the New Cultural Conservativism." Partisan Review, 39 (Summer, 1972), 448-451; reprinted New York Times Week in Review, Aug. 20, 1972

"The New Tradition." Partisan Review, 39 (Fall, 1972), 580-588. Reprinted as "The New Tradition in Fiction" in Surfiction, edited by Raymond Federman, pp. 35-45. Chicago: Swallow Press, 1975.

"Refugee from the Holocaust." Review of Double or Nothing by Raymond Federman. New York Times Book Review, October 1, 1972, pp. 40-41.

Review of Adventures of Mao on the Long March by Frederic Tuten. New York Times Book Review, November 7, 1971, p. 40.

"Not My Bag." Review of The Bag by Sol Yurik and The Universal Baseball Association by Robert Coover. New York Review of Books, 12 (March 13, 1969), pp.40-41.

"Live & Let Alone on the Lower East Side." Village Voice, 13 (June 13, 1968), pp. 6-7, 17-18.

"Rat-Race at Coney." Review of Under the Boardwalk by Norman Rosten. New York Times Book Review, September 14, 1968, p. 18.

"Millicent Versus Sex." Review of Thy Daughter's Nakedness by Myron S. Kaufman. New York Times Book Review, October 27, 1968, p. 66.

"The Sarah Lawrence Orgies of 1968: An Interview with Ronald Sukenick," Alternative-X, www.altx.com, interview by Christian Ettinger and Alexander Lawrence.

"Sukenick’s ‘Mosaic Man’ is his novel- and his life," Kathryn Bernheimer, Intermountain Jewish News,(October 8, 1999), p.16.

"Ron Sukenick : The Rival Tradition, " JR Foley, "Flash Point, " Sue Coe, Summer 1996, vol.1, pp.1-12.

"The Fiction of Fiction: An Interview with Ronald Sukenick," Ted Rooney, Poetry Flash, May/June 1995, pp. 1, 4-11.

"Interview with Ronald Sukenick," Alexander Lawrence, Cups, No. 3, 1995, pp. 12-13.

"Turning On: An Electronic Interview with Ronald Sukenick," Mark Amerika, Alternative-X, "Interzone," http://www.altx.com (internet), 4 pp. Republished in: Bil Bok, #4, March 1996

Seed, David. Over Here, "An Interview with Ronald Sukenick," University of Nottingham, Summer 1990, pp. 1-7.

Abady-Nagy, Zolton. "A Talk With Ronald Sukenick," Hungarian Studies in English, XVI (1983), pp. 5-22.

McCaffery, Larry. Tom LeClair & Larry McCaffery, eds. Anything Can Happen. Urbana: University of Illinois, 1983, pp. 4, 5, 133, 136, 149, 223, 226, 227, 279-97.

Meyer, Charlotte M. Contemporary Literature, Vol. 23, No. 2 (Spring, 1982), pp. 129-144.

Szeky, Janos. Elet es Irodalom, Budapest, Dec. 3, 1982, p. 7.

Kawin, Bruce. Arts at Santa Cruz, Vol. 1, No. 1, 1981.

Kim, Sung-Kon. Literature and Thought, Korea, pp. 38-45.

"Literary Magazine The Umi," published monthly by Chuokoron-Sha, Tokyo, pp. 305-310. Other bibliographical information in Japanese. (1979)

Nagel, James. "A Conversation in Boston." In American Fiction, Boston: Northeastern University Press, 1977, pp. 175-202.

. "Imagination as Perception." Chicago Review, 23 (Winter, 1972), 59-72. Reprinted in Bellamy's The New Fiction: Interviews with Innovative American Writers (Urbana: University of Illinois Press, 1974), pp. 55-74.

Center for Twentieth Century Studies, University of Wisconsin, Milwaukee

(videotape) 1972.

Bellamy, Joe David. "The Tape Recorder Records." Falcon #2-3 (April,

1971), pp. 5-25.

Abadi Nagy, Zolton. Valsag Es Komikum. Budapest: Magreto Konyvkiado, 1982, pp. 17, 59, 62, 67, 203, 218-19, 236-37, 332, 494-95, 522.

Adams, Timothy Dow. Dictionary of Literary Biography, Yearbook: 1981; corrected 1982.

. "Obscuring the Muse: The Mock-Autobiographies of Ronald Sukenick." Critique, 20, #1 (1978), 27-39.

______________. "Autobiographical Boundaries: The Contemporary American Mock-

Autobiography," Dissertation Abstracts International. Vol. 40, 1979, p. 255A.

Aldridge, John W. The American Novel and the Way We Live Now, New York: Oxford, 1982, pp. 138, 140, 141-43, 145, 147.

Altieri, Charles; Graff, Gerald; Spanos, William V. "Postmodernism Symposium." Par Rapport: A Journal of the Humanities, Vol. II, No. 2 (Summer, 1979), 87, 117, 128 et passim.

Barth, John. "The State of the Art, " WQ Spring 1996, pp.36-45.

Beebe, Maurice. "Reflective and Reflexive Trends in Modern Fiction." Bucknell Review, 22 (Fall, 1976), 19-20.

Behrens, David. "Feminist Forays Into Eroticism, " Newsday, April 20,1994, pp. B3,B17.

______,______. "The Not-So-Quiet Years," Newsday, July 22,1993, pp.60-61.

Bennet, Elizabeth. "Critcs Dissect New Literature, " The Houston Post, Sunday April 4, 1993, C7.

Bell, Pearl Kazin. "American Fiction: Forgetting Ordinary Truths." Dissent, Winter, 1973, pp. 26-34, passim.

Bellamy, Joe D. "Imagination as Perception: An Interview with Ronald Sukenick," Chicago Review.

Vol.23, pp. 59-72.

Bergman, Linda S. (On Out). Chicago Review, Vol. 25, No. 3, 9-12.

Berthoff, Warner. A Literature Without Qualities, Berkeley: University of California Press, 1979, p. 18.

Bogue, Ronald, and Cornis-Pope, Marcel, eds. Violence and Mediation in Contemporary Culture, Albany: State University of New York Press, 1995, pp. 13, 181-83, 190-93, 196-97, 197n.1.

Bolling, Douglass. "Some Observations on Contemporary Fiction." Northeast Review, Special Issue, Winter, 1975-76, pp. 14-16.

Boyd, Brian. Vladmir Nabokov: The American Years, Princeton University Popular Press, 1991.

Bradbury, Malcolm. The Modern American Novel, Oxford University Press, 1983, pp. 161, 163.

. The Novel Today, p. 20. Manchester: Manchester University Press, 1977.

Broderick, Vincent A. "Disruptive Participants: Observations of Works by Sukenick and Sorrentino." Kobe College Studies (Japan), 1978, pp. 39-68.

Brooke-Rose, Christine. "Where Do We Go From Here?" Granta (King's College, Cambridge) No. 3 (1980) 168, 176-182. Reprinted, New Realism in Contemporary Fiction, Oxford University Press, 1981.

Butler, Christopher. After the Wake, Oxford: Oxford University Press, 1980, passim.

Caramello, Charles. "Ronald Sukenick." Contemporary Novelists, Nov., 1986, 5 pp.

. Silverless Mirrors, Tallahassee: University Presses of Florida, 1983, pp. 25, 55, 59, 76, 80, 81, 85, 132, 220, 224, 241.

Chabot, C. Barry. "Fiction, Truth and the Character of Beliefs," Georgia

Review, 37 (Winter 1983), pp. 835-843.

Cheuse, Alan. "Way Out West: The Exploratory Fiction of Ronald Sukenick." In Itinerary Criticism #7: Essays on California Writers, edited by Charles Crow, pp. 115-121. Bowling Green, Ohio: Bowling Green StateUniversity Press, 1978.

Cohen, Keith. "Writing in a Film Age, " University Press of Colorado, 1991, pp.149-154.

Cooper, Dennis. "Ice Nine: The Many Lives of Experimental Fiction, " L.A. Weekly, October 24,1996.

Cornis-Pope, Marcel. "Postmodernism Beyond Self-Reflection," Mimesis in Contemporary Theory, Vol. 2, ed. Ronald Bogue, Amsterdam & Philadelphia: John Benjamins Pub. Co., 1991. passim.

.________. "Narrative Innovation and Cultural Rewriting: The Pynchon-Morrison-Sukenick Connection," Narrative and Culture (Athens: University of Georgia Press, 1994), pp. 216-37.

Cowley, Julian. "Ronald Sukenick's New Departures from the Terminal of Language," Critique: Studies in Contemporary Fiction. Vol. 28, no. 2, Winter 1987, pp. 87-99

Cureton, Richard D. "Poetry, Language, and Literary Study: The Unfinished Tasks of Stylistics," Language and Literature. Vol. 21, 1996, pp. 95-112

Currie, Peter. "The Eccentric Self: Anti-Characterization and the Problem of the Subject in American Postmodernist Fiction," Contemporary American Fiction, London: Arnold, 1987. Xvii, pp. 52-69.

Dillard, Annie. Living By Fiction, New York: Harper & Row, 1982, pp. 33,99.

Docherty, Thomas. Reading (Absent) Character. Oxford University Press, 1983, pp. x, 78-79, 82-84, 121, 138, 224, 262-66.

Donoghue, Denis. "Fabulous Salad." (On Wallace Stevens: Musing the Obscure.) New York Review of Books, February 1, 1968, 23-26.

Ebert, Terein. Poetics Today. (Tel Aviv). Vol. 1, no. 4, "The Convergence of Post Modern Fiction and Science Fiction."

Eder, Doris L. "A Review of Stevens Criticism To Date." Twentieth Century Literature, Vol. 15, No. 1 (April, 1969) 3-4.

Elliot, Emory, ed. The Columbia History of the American Novel, 1991, pp. 732, 812-13.

Federman, Raymond. "In." Partisan Review, 41, #1 (1974), 137-142.

. "Self Reflexive Fiction," Columbia Literary History of the United States, 1988, passim.

Foley, JR. "Fiction Collective Two, " Poets and Writers Magazine, September/October 1996, pp.35-43.

Freese, Peter. "The Reader is the Limiting Factor," Arbeiten aus Anglistik und Amerikanistik. Vol. 4, 1979, pp. 111-32

Friedman, Melvin J. "Dislocations of Setting and Word: Notes on American Fiction Since 1950." Studies in American Fiction, 5 (Spring, 1977), 79-98.

. "To 'Make It New': The American Novel Since 1945." Wilson Quarterly, 2 (Winter, 1978), 133-142.

Friedman, Melvin J., and Siegal, Ben. Traditions, Voices, Dreams: The American Novel Since the 1960's, University of Delaware Press, 1995, passim.

Graff, Gerald. Literature Against Itself, Chicago: University of Chicago Press, 1979, p. 171.

(Author unknown), Redrawing The Boundaries, The Modern Language Association of America, New York, 1992,pp.180,181,183.

Hart, James D. Oxford Companion to American Literature. Fifth Edition.

Hassan, Ihab. The Dismemberment of Orpheus, New York: Oxford University Press, 1971, p. 254.

. Liberations, Middletown, Conn.: Wesleyan University Press, 1971, pp. 185-186. .

. Paracriticisms, Urbana: University Press, 1975, pp. 83, 87, 106-107, 141-142.

. "Reading Out." Fiction International #1 (Fall, 1973), pp. 108-109.

Hicks, Jack. In the Singer's Temple, Chapel Hill: University of North Carolina Press, 1981, pp. 12, 16, 24 et passim.

Hornung, Alfred. "Absent Presence: The Fictions of Raymond Federman and Ronald Sukenick. Indian Journal of American Studies, 14 (1984), pp. 17-31.

Hutcheons, Linda. The Politics of Postmodernism, London and New York: Routledge, 1989, p. 90.

. Narcissistic Narrative. London: Methuen, 1984, pp. 143-44, 153.

J.K. "Dictionnaire des romanciers: Etats-Unis," magazine litteraire, Paris, 1990, p. 121.

Karl, Frederick R. American Fictions 1940-1980. New York: Harper & Row, 1983, xiii, 3, 488, 516-19, 521.

Kawin, Bruce F. The Mind of the Novel, Princeton, N.J.: Princeton University Press, 1982, pp. xiv, 94, 180, 212, 247, 250.

Kiernan, Robert F. American Writing Since 1945, New York: Frederick Unger, 1983, pp. 56, 63.

Klinkowitz, Jerome. The American 1960s, Ames: Iowa State University Press, 1980, pp. 92-109.

. "Getting Real: Making It (Up) with Ronald Sukenick." Chicago Review, 23 (Winter, 1972), 73-82.

. "Innovative Short Fiction: 'Vile and Imaginative Things.'" In Innovative Fiction, pp. xv-xxviii. New York: Dell, 1972.

_________. "A Persuasive Account: Working It Out with Ronald Sukenick." North American Review, 258 (Summer, 1973), 48-52. Reprinted in Seeing Castaneda, edited by Daniel Noel, pp. 131-139. New York: Putnam's 1976.

_________. Literary Disruptions, Urbana: University of Illinois Press, 1975; pp. 119-153 et passim; Second ed. with "Postface," 1980. Second Edition includes complete bibliography of Sukenick.

. The Life of Fiction, Urbana: University of Illinois Press, 1977, pp. 18-30.

_________, and Rackstraw, Loree. "The American 1970's: Recent Intellectual Trends." Revue Francaise d'Etudes Americaines, No. 8 (Octobre '79), 244-247.

_________. The Practice of Fiction in America: Writers From Hawthorne to the Present, Ames: Iowa State Univ. Press, 1980, passim.

_________. "New Fiction and American Values." Anglo-American Studies, Nov. 1982. Salamanca, Spain, passim.

_________. The Self Apparent Word, Carbondale and Edwardsville: Southern Illinois University Press, 1984, pp. x, 38-39, 40, 41, 56, 69-71, 76, 78-81, 85, 119.

. Literary Subversions: New American Fiction and the Practice of Criticism, Southern Illinois University Press, 1985, pp. xv, xvi, xviii, ixx, xxii, xxiii, xxxiv, 3, 25-6, 133, 173, 180, 181-2, 183, 186, 189.

. __________. Structuring the Void. Durham & London: Duke University Press, 1992, passim.

_________. Keeping Literary Company, 1998.

_________. "The Novel as Artifact: Spatial Form in Contemporary Fiction," Spatial Form in Narrative, Cornell University Press, 1981. 275 pp.

Kutnik, Jerzy. "Innovative American Fiction." Lubelski Materialy Neofilologiczne, Poland (1978) 104-106.

. ______Fiction as Performance: The Fiction of Ronald Sukenick and Raymond Federman. Southern Illinois Press, 1986.

._______ "Ronald Sukenick and Stanley Fish: Toward a Postmodern Aesthetic of Literary Experience," [publication title missing], 1990, pp. 129-34.

________. "Postmodern Language-Centered Writing and the Question of Ideology: A Polish Perspective." Journal of American Studies of Turkey. Vol. 4, Fall 1996, pp 3-13.

Lavers, Norman. "Some Parafictions: What Are, How Enjoyed, Where Next," The American Poetry Review. Vol. 7, no. 2, Mar.-Apr. 1978, pp 44-47.

LeClair, Thomas. "Avant Garde Mastery." Tri Quarterly, 53 (Winter 1982), p. 259.

Levenston, E. A. The Stuff of Literature, SUNY Press, 1992, including "Works from Samuel Richardson to Ronald Sukenick."

Lesniak, James G. Contemporary Authors, New Revision Series, vol.32, pp.415-418.

"Literary Magazine The Umi, published monthly by ChuoKoron-Sha, Tokyo," no. 12, 1979. (All other bibliographical information in Japanese.) Pp. 305-310.

Lodge, David. The Modes of Modern Writing, Ithaca: Cornell University Press, 1977, pp. 232, 243, 272.

Martin, Jay; Tanner, Tony; Tytell, John. "Composure and Decomposition: Three Pieces on the Fiction Collective." Partisan Review 2 (1979), 287-288, 295-297.

McCaffery, Larry. The Metafictional Muse, University of Pittsburgh Press, 1982, pp. 4, 7, 12, 14-15, 19, 103, 252, 253.

______________. Postmodern Culture, v.3, n.1 (September 1992) at http://www./cyberpunk/ authors/ mccaffery.sept.1992. html.

McHale, Brian. Postmodern Fiction, London: Methuen, 1989, passim.

Mellard, James. The Exploded Form, Urbana: University of Illinois Press, 1980, pp. 127, 133, 186.

Meyer, Charlotte M. "An Interview with Ronald Sukenick," Contemporary Literature. Vol. 23, no. 2, Spring 1982, pp.129-144.

________. "The Shell and the Wave: A Study of Narrative Form in Chimera by John Barth and 98.6 by Ronald Sukenick," Dissertation Abstracts International. Vol. 41, no. 9, Mar. 1981, p. 4034A.

Nash, Cristopher. World Postmodern Fiction: A Guide, Longman, London & New York, 1987/1993, pp. 52, 93-94, 118, 144, 207, 258, 293, 307.

Nealon, Jeffrey T. Double Reading, Cornell University, 1993, pp.103-106.

_________. "Thinking/Writing the Postmodern: Representation, End, Ground, Sending." Boundary 2: An International Journal of Literature and Culture. Vol. 20, no. 1, Spring 1993, pp 221-41.

Noel, Daniel. "Tales of Fictive Power: Dreaming and Imagining in Ronald Sukenick's Postmodern Fiction." Boundary 2, 5 (Fall, 1976), 117-135.

Pearce, Richard. The Novel in Motion, Columbus: Ohio State Univresity Press, 1983, pp. 118, 123-30, 131, 143.

Pinsker, Sanford. Between Two Worlds, Troy, N.Y.: Whitson, 1980, passim.

Primeau, Ronald. Romance of the Road: The Literature of the American Highway, Bowling Green University Popular Press, 1996.

Putz, Manfred. The Story of Identity: American Fiction of the Sixties, Stuttgart: Metzler, 1979, pp. 176-193.

________. "Ronald Sukenick, 'The Birds,'" The Vision of This Land: Studies ofVachel Lindsay, Edgar Lee Masters, and Carl Sandburg. Western Illinois University Press, 1976, pp. 314-322.

Quartermain, Peter. "Trusting the Reader." Chicago Review, Vol. 32, No. 2 (Autumn, 1980), 71-73.

Russell, Charles. "Individual Voice in the Collective Discourse: Literary Innovation in Postmodern American Fiction." Sub-Stance, 27, (1980), 30, 32-33, 35-37.

. Poets, Prophets and Revolutionaries: The Avant-Garde from Rimbaud to Postmodernism. Oxford University Press, 1985. Pp. 249, 253, 255-60, 264, 266-67.

. The Vault of Language: Self-Reflective Artifice in Contemporary American Fiction." Modern Fiction Studies, Vol. 20, No. 3, (Autumn, 1974) 355-356.

Saltzman, Arthur M. Fiction of William Gass: The Consolation of Language. Southern Illinois University Press, 1985. Pp. 3-4, 9, 97, 99, 135, 136, 139, 141, 161.

________,_______. The Novel in Balance, University of South Carolina Press, 1993. Pp. 159-165, 167.

Schöpp, Joseph C. Ausbruch aus der Mimesis, "Autographische Entwurfe: Die Romane Ronald Sukenick."

Schulte, Michael. "Freiheit, Spontaneitat, Vergnugen: Uber Ronald Sukenick," du, April 1994, pp. 44, 57; and p. 2 by Jerome Charyn.

Seed, David. "Ronald Sukenick, " Post-War Literature in English, Wolters-Noordhoof, September 1991.

Semrau, Janusz. "An Interview with Ronald Sukenick," Studia Anglica Posnaniensia: An International Review of English Studies. Vol. 18, 1986, pp 231-239.

________. "Flying a Kite: Ronald Sukenick's Up and Out," Studia Anglica Posnaniensia: An International Review of English Studies. Vol. 16, 1983, pp. 255-263.

Singer, Alan. A Metaphoric of Fiction, Tallahassee: Florida State University Press, 1983, p. 11.

Slavitt, David. "Book Reviewing in America VI, " Dictionary of Literary Biography. 1992.

Slater, Howard. "Ronald Sukenick: You Don’t Need To Understand, " break/flow, n.p. , London, 1996.

Smith, Allan Llyod. "Brain Damage: The Word and the World in Postmodernist Writing," Contemporary American Fiction. London: Arnold, 1987. Xvii, pp. 38-50.

Stevick, Philip. Alternative Pleasures, Urbana: University of Illinois Press, 1981, p. 26.

Stone, Albert E. Autobiographical Occasions and Original Acts, Philadelphia: University of Pennsylvania Press, 1982, pp. 14, 269-70, 270-71, 272, 274, 283, 340.

Stringer, Jenny. The Oxford Companion to Twentieth-Century Literature in English, Oxford University Press, 1996, N.Y., p.651.

The Subaru Monthly, Shueisha, Japan, August 1993, pp. 223, 229.

Thiher, Allen. Words in Reflection: Modern Language Theory and Post Modern Fiction, University of Chicago Press, 1984, pp. 117, 119, 146-47, 149, 185.

Trachtenberg, Stanley. "The Way That Girl Pressed against You on the Subway: Ronald Sukenick's Real Act of Imagination," Journal Of Narrative Technique. Vol. 12, no. 1, Winter 1982, pp. 57-71.

Tytell, John. "Epiphany in Chaos: Fragmentation in Modernism," in Lawrence D. Kritzman, ed., Fragments: Incompletion and Discontinuity, New York: Literary Form, CUNY, 1981.

Waugh, Patricia. Metafiction. London: Methuen, 1984, pp. 34, 97, 132, 144.

Werner, Craig Hansen. Paradoxical Resolutions. Urbana: University of Illinois Press, 1983, pp. 69, 74-82, 108, 131.

White, Curtis. "Writing the Life Postmodern, " Review of Contemporary Fiction, p. 119-120.

Wilczynski, Marek. "American Innovative Fiction," Contemporary Literature. Vol. 30, no. 1, Spring 1989, pp.151-159

Wilde, Alan. Horizons of Dissent, Baltimore: Johns Hopkins, 1981, pp. 137-141, 143-144, 147-148, 169-171, 185-187, et passim.

Wilke, Sabine. "Verfahrensweisen der amerikanischen Postmoderne: Einige Fragen an Ronald Sukenick, Donald Barthelme und Raymond Federman," International Review of Literary Studies, Vol.47 no.4, 1992 pp. 234-56

Winkelman, Aaron. "Authorial Prescence in American Metafiction: The Novels of Coover, Federman, Sorrentino, and Sukenick," Dissertation Abstracts International. vol. 47 no. 7, Jan 1987, p. 2588A.

Wolfe, Tom. "Why They Aren't Writing the Great American Novel Anymore." Esquire, 78 (December, 1972), 152-158, 272-280, passim.

Zavarzadeh, Mas'ud. The Mythopoeic Reality, Urbana: University of Illinois Press, 1976, pp. 33, 34, 37, 40.

"The Great Peace Scare," for Roger Corman (American International).

"OUT, " from Sukenick’s novel of same name, on an N.E.A. film fellowship.

Distributed in Great Britain; at various film festivals in U.S.

VIII. Anthologies

Innovative Fiction. "Momentum, " Klinkowitz and Somer, eds. Dell-Laurel, 1972. pp.177-214.

Cutting Edges. Jack Hicks, ed. Holt, Rinehart & Winston, 1972.

Surfiction. Raymond Federman, ed. Swallow, 1975.

The New Fiction (interviews). J. D. Bellamy, ed. Univ. of Illinois, 1975.

Studies in the Short Story. David Madden, ed. Holt, Rinehart & Winston, 1975.

American Fiction Since 1965. J. D. Bellamy, ed. Random House-Vintage, 1975.

"The Endless Short Story: Verticals and Horizontals," Statements: New Fiction From the Fiction Collective (New York: Braziller, 1975), pp. 184-188.

Pushcart Prize, I: Best of the Small Presses. Bill Henderson, ed. Pushcart/ Avon, 1976.

"The Endless Short Story: Don Wang," Statements 2 (New York: Fiction Collective, 1977), pp. 212-217.

Story to Anti-Story. Mary Rohrberger, ed. Houghton Mifflin, 1979.

Postmodernism in American Literature: A Critical Anthology. Manfred Putz and Peter Freese, eds. Darmstadt: Thesen Verlag, 1984.

"At This Very Instant," American Made, ed. Mark Leyner et. al., (New York, Boulder: Fiction Collective, 1986,) pp. 189-196.

"Ecco," O. Henry Prize Stories 1991, ed. William Abrahams, Doubleday, pp. 301- 322.

Before Columbus Foundation Fiction Anthology. Ishmael Reed, Kathryn Trueblood, Shawn Wong, ed. Norton, 1992. Introduction to Raymond Federman, pp.320-322.

"How To Be Jewish," Autobiographie & Avant-Garde, ed. Alfred Hornung and Ernstpeter Ruhe, Gunter Narr Verlag, Tubingen, Germany, 1992, pp. 387-400.

"Unwriting," The Novel of the Americas, ed. Raymond Leslie Williams, University Press of Colorado, 1992, pp. 48-51.

"from Out, "Dog Stories, ed. Kevin R. Kaszubowski, Dog Stories, 1993, p.63.

"Divide, " High Fantastic, ed. Steve Rasnic Tem, Ocean View Books, 1995, pp.107-112.

Up. Paris: Champs Libre, 1973.

"The Permanent Crisis," Schreibheft: Zeitschrift fur Literatur 22 (Rigadon Verlag, Essen).

Gabinet Luster: Krotka Proza Amerykanska (Poland). Zbigniew Lewicki, ed. "Czytelnik," Warszawa, 1980.

Entropia: Mai Americai Elbeszelok, ed., Istram Bart. Budapest: Europa Konyvkiado, 1981.

"Compte a rebours," trans. Harry Blake and Philippe Jaworski, bas de casse, 3 (Paris: 1981), 40-65.

Parts of Long Talking Bad Conditions Blues. Nagy Vilag (Budapest), 1984, no. 3, pp. 399-409.

"Fiction in the Seventies: Ten Digressions on Ten Digressions," trans. Nagy Vilag (Budapest), 1984, no. 3, pp. 421-30.

"Vierzehn," Mobil: Prose der amerikanischen Avantgarde-seit 1945, Dirk Gortler, ed. Eggingen: Edition Isele, 1990, pp. 115-126.

"Genies," Chelsea Hotel, Vol. 2, pp. 88-91, Edition Klaus Isele, Eggingen, 1992.

Rozgadany O Kiepskim Zyciu Blues, Ronald Sukenick, trans. Przelozyl Janusz Semrau, Biblioteka Amerykanska tom VII, Wydawnicto Przedswit, Warszawa, 1992.

"Der Tod des Romans," Falsche Dokumente: Postmoderne Texte aus den USA Leipzig, 1993, pp. 161-237.

"What's Your Story," trans. Hebrew in American Short Stories of the 60's and 70's, ed. Mooki Ron, Am Oved Publishing House (Tel Aviv: 1994), pp. 144-64.

"98.6," trans. German by Peter Torberg in Chelsea Hotel, ed. Dirk Gortler, Peter Isele, Vol. 3, pp. 94-97.

?" Avant-Pop, prosa degenerativa, cultura delle conglomerate, " Acoma(accent grave on a), vol.7, Primavera 1996, pp.21-27.

"Avantpop, surfikcija, "Apokolipsa, Revijaza Preboj v Zivo(accent over z) Kultura, vol.29/30, pp.215-216."Svinje v dreku, " pp.237-240.

"La Prosa Degenerativa: una Introduzione Virtuale, " with Mark Amerika, n.p., 1999